“Idk how I feel about that,” I wrote back. Nine days earlier, my sister had texted me to see if I’d be down to drive to Philadelphia from New York the day of the concert on a lark. It looked like the sort of thing I’d regret missing, the premise of a memory I could tell my kids or at least my friends’ kids about. But then, in March, the Eras Tour commenced, and for several weeks thereafter my Twitter feed was overrun with clips from the show, which runs close to three and a half hours, includes forty-four songs, and is structured episodically as a Homeric celebration of Swift’s discography. So I’d resigned myself to the fact that I would not be attending the Eras Tour, Swift’s 131-show survey of her ten studio albums-which I suppose we now call eras and not albums-and the logical, world-beating end point of her willful evolution from gee-whiz country darling to too-big-to-fail pop supernova. I do not have the patience to wait in something called a virtual queue, and also I have a job. Justice Department into antitrust violations by Ticketmaster and Live Nation.Īt first, this didn’t bother me. We were not two of the lucky 2.4 million who had gotten tickets to the Eras Tour when they’d gone on sale several months earlier, in a rollout so vexed and disorderly it caused an investigation by the U.S. My cheesesteak sub was dry and insufficiently cheesy and entirely beside the point-it was a formality, if a regionally appropriate one, meant to justify my seat at this funky restaurant as my sister and I refreshed four different ticket resale websites waiting for prices to drop. An early-summer, late-afternoon light was catching a porcelain figurine of the Virgin Mary and Baby Jesus on the windowsill of Johnnie’s Italian Specialties, the twenty-eight-year-old family-owned restaurant in South Philly where, in May, I dialed up my personal hotspot, hoping to get tickets to the Taylor Swift concert taking place in the city later that night.
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